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Last, but definitely not least, Thursday night we had one final guest presenter drop by and lead us all in a little minicomic workshop: local artist, educator, and musician Robin Feinman sat in on a critique and then did a show & tell about one of her favorite ways to do cartooning. I'm also a huge fan of her linework; it's very loose and expressive like a controlled doodle's spontaneous energy that syncs up nicely with the matching freshness of her content's subject matter and writing style.
This particular project and method really really really brings home the meta-message that anyone can do comics - and making these minicomics is so quick and fun to do, plus you wind up with something cheap and easy to make then pass around to everyone else to collect and enjoy.
We started out copying with pencil from a super-simple template so as to get the pagination and orientation correct:
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I also like the additional step of making double-sided copies so as to include a bonus poster when the minicomic is unfolded. And these can be as complicated and labor-intensive as you want; there is an unlimited number of possibilities as to how folks go about making there minicomic unique. To this end I always haul along my sack of accumulated samples that range from hand-printed color covers using woodcuts and etchings, hand-sewn bindings, every conceivable configuration of pages and sizes... this is just one of the most individually expressive formats to explore in the medium.
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And on a personal note, by the time this last series of guest presenters wraps up, I'm just about bustin' at the seams to get back into it myself. Suppose it's a good sign that A) I learned something new again, and B) I'm equally inspired to start creating new, different and more and more comics. Works for me: something along the lines of Neo getting jacked up on the training program, this whole damn class is a simulation of what life's like after taking the funny pill and realizing anything's possible.
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